Russ Ouellette
I generally don’t smoke Connecticut Shade-Grown wrapped cigars, as I find them to be a bit light for my tastes, but every so often I’ll try one that has an unusual binder/filler combination that promises to make it particularly satisfying. I just found one of those— the Alec Bradley Maxx Connecticut.
The particular stick I tested was The Culture, a 6.5 by 54 toro gorda. The wrapper was typical of top-quality Connecticut; thin, a light golden color and few noticeable veins. The aroma of the unlit cigar was hay-like with a little earthiness. I used a double guillotine to shave the top of the cap as I don’t like punches for larger ring gauges. The pre-light draw was free and easy, almost a bit too easy, but the cigar was uniformly firm, so my concerns were somewhat assuaged. The same notes I detected in the unlit aroma returned; hay and earth, with an additional grassy element creeping in. I toasted the foot and lit up.


Alec Bradley has a history of thinking outside the box. All you have to do is to look at the Trilogy cigars they used to make; after all, how many stogies are a triangular box-press? So, when the trend started toward larger ring gauges, they decided to pull out all the stops and make an entire line of behemoths. There are six shapes in the Maxx series, starting with a 4 x 46, going to ring gauges up to 60 and lengths as long as 9 1/4 inches.
My next foray into the Alec Bradley lineup is the American Classic Blend, which is a Nicaraguan-made cigar meant to be reminiscent of the milder blends that used to be made in Tampa. The first thing that struck me was the overall appearance- a nice, satiny mousy-tan wrapper with a very attractive band. The wrapper, which is a Connecticut-seed leaf grown in Honduras, is almost veinless, and at first glance doesn’t even appear to have seams.





